A Child Already Knows
A Conversation with Tiffany Sia and An-My Lê
A Road Movie is Impossible in Hong Kong
A Wet Finger in The Air
An Image on Air
Antipodes
Antipodes II
Antipodes III
Barriers Buy Time
Basel Statements 2024
Bastard Tongue
Bibliography
#Book
CLOSER, Kunstverein für die Rheinlande und Westfalen, Düsseldorf
CV
#Chapbook
Do Not Circulate
Executive Producer
#Film & Video
Filmography
#Group Show
Handbook of Feelings
Hell is a Timeline
Hong Kong is a Fictive Process
IMU UR2: Art, Aesthetics and Asian America
In Plain Sight
Journey From North to South
Kimi
LISTE 2022
Minor Landscape – Series
Minor Landscapes, FELIX GAUDLITZ
Never Rest/Unrest
New Territories: Reconfiguring Publics in Former and New Hong Kong Cinema
On and Off-Screen Imaginaries
Phantasms of Dissent: Hong Kong's New Documentary Vernacular
SEA – SHIPPING – SUN
Salty Wet 咸濕
Scroll Figure – Series
Shadows and Transmissions
Slippery When Wet, Artists Space
Slippery When Wet, Artists Space – Microsite
Speculative Place
TL;DR
Technical Difficulties
The Bastard Scroll
The Bastard Scroll – Single Prints
The Screen Age: Video's Past and Future
The Sojourn
Tiffany Sia on An-My Lê
Too Salty Too Wet 更咸更濕
Too Wet
Under the City, There is a Beach
Unfinished Business
Website
Weird Times
What Rules the Invisible
#Works on Paper
#Writing
#Yuri Pattison